On set
Annotations that survive a revision, the lined script, the take log, the DPR.
Annotations, and the feature that matters
A script supervisor marks up a draft for three weeks. Blue pages arrive. In most tools those three weeks of notes are now attached to a document nobody is shooting.
ScriptLock carries them across, and tells you honestly how well:
| Outcome | What it means |
|---|---|
| Moved | The line survived unchanged. The note is exactly where it was |
| Adjusted | The line was rewritten. The note's range was mapped through a word-level diff onto the new text, and flagged — "close" is not "right" |
| Reanchored | The line is gone. The note went to the nearest surviving line, flagged harder |
| Orphaned | There is no sensible home. The note is kept, in its own section, with the text it was written against |
Nothing is ever silently dropped. A lost note is worse than a misplaced one, because a misplaced one is visible.
Layers: personal, department, and the meeting's. You choose what you see.
The lined script
Vertical lines down the page per setup, with the standard marks — solid where the camera is on the action, dashed where it is not. Printable, and it matches the page numbers everybody else has.
The take log
Scene, setup, take, circle, print, lens, duration, and the note the script supervisor actually said. It feeds the lined script, the DPR and, later, the dub pack — which is why a dub row can tell a translator whether the audience sees the line spoken.
The Daily Production Report
Built from the day: scenes and eighths shot against scheduled, first shot, lunch, wrap, the takes, the cast who worked, and what did not get done. It is the document production sees at the end of a shoot day, and it comes out of what was logged rather than being typed again at midnight.
Wrong, or missing something? hello@scriptlock.app and say which page.